Whoop! Time to let the cat out of the bag!

I am proud and incredibly grateful to announce I signed a traditional publishing contract in the fall with Orange Hat Publishing (imprint TEN16 Press) for my full-length women's fiction — FINDING SUTTON'S CHOICE.

Release date TBD (May 2025), but I'm so excited about the next steps in my writing journey.

For decades, I've made a career of writing nonfiction for newspapers, magazines, nonprofits, and businesses. BUT I was always that little girl with a dog-eared novel in her hands. Knowing my fiction will finally be on a bookshelf is so humbling.

That my first novel is set in my beloved #lakesideohio makes this announcement all the sweeter. More information about the resort setting may be found at lakesideohio.com. 

Thank you, Editor Michael Braun for taking a chance on me. This also would not have been possible without the support of so many family and friends, my first (2nd? 32nd? 132nd?) readers throughout this process. A special "thanks" to #WFWA writing buddy and soon to be debut author, Susan Poole, who pushed me to submit my manuscript. This post would be far in the future if it weren't for you!

More details coming soon. Keep an eye on www.powerofpages.com. A new author page is also under construction at www.brendahaas.com.

#writinglife #NaNoWriMo #debutauthor

“Sally” popped up on the pre-event Facebook group for the Women’s Fiction Writers Association Conference held in Chicago. When I noticed she happened to live about an hour from me, I forced myself to do something I’m not naturally inclined to do. I stepped out of my comfort zone and contacted her.
 
Like many writers, I’d be just as happy to hide in my office for weeks … months, even ... typing away without any human interaction. But, after doing a bit of online snooping to make sure Sally wasn’t raving mad, I messaged her and suggested we meet for drinks during the weekend conference. Since moving to the Lake Erie area, I’d struggled to find other writers to connect with, particularly women’s fiction writers. Sally seemed like a viable option (barring any raving madness, of course).
 
I forced myself to make that connection. Turns out Sally and I have similar writing styles and are at similar stages in both our private and writing lives. Not only did we hit it off, we decided to exchange manuscripts and see where that would take us. It was a perfect match, and we have met regularly since the conference.

We trade writing samples. We give each other updates on our querying process. We talk about our next steps on our writing journeys. We are signed up to attend another Women's Fiction Writers Association event together this fall.
 
No regrets. None. Sally might just be the best thing that’s ever happened to my writing.
 
One should never write in a vacuum. I know the value of having more than one set of eyes on my work. I know the value of receiving both "positive" and "negative" feedback. I’ve been in many critique groups before, through which I learned a lot and made lifelong friends. I’ve even coordinated a critique group of my own, in the past.

But, despite having written fiction for many years, I’ve never had a specific person to call a partner in crime — a writing partner. I’ve never had someone who holds me accountable, challenges me to continue working on my craft, pushes me to SUBMIT (something I’ve been simply terrible at following through with, despite being told my manuscript is submission ready). 
 
I’ve never had another writer truly be my writing cheerleader (and never had the honor of being one for someone else who believes in me as much as I believe in them). 

I’ve never had a Sally before.

Thanks, Sally. I’m oh-so-grateful for my writing partner supreme.

National Novel Writing Month (NaNoWriMo) begins tomorrow, November 1. Writers around the globe set a personal goal of writing 50,000 words in a month. 
 
But will I?
 
I’ve successfully completed this writing challenge the past three years, doing massive amounts of planning prior to each project’s start. Yet, I am completely unprepared for 2021. I’ve struggled for months to write anything beyond the borders of my freelance writing projects, which help pay my bills. 
 
Why am I not motivated? 
 
Health issues in my family. Lack of creativity. Super busy. I might even cry “writer’s block,” which we tortured artists pull out and trot around the desk, on occasion. Though each excuse contains a grain of truth, the real conflict stems from someone close to me … we’ll call them Doubt … unwittingly making me question if killing my personal demons — one character at a time on a plain, white piece of paper — is worthwhile. 
 
Doubt suggested I seek counseling to move beyond my difficult past, which admittedly, colors all of my present relationships. I told Doubt I considered my writing a form of creative therapy. 
 
I also told Doubt I was proud of my not-yet-published women’s fiction manuscript. My novel, which I wrote the bones of during my first NaNo challenge almost three years ago, fictionalizes some of my most raw, painful memories. My life experiences wrap around each character like a second skin. After I finished the month-long challenge and recovered from the emotion of it all, I spent over a year editing my work. I went through a series of beta readers and edited again. The end result, almost double in length, looks nothing like my real life. However, my past experiences — good and bad — certainly serve as its backbone. 
 
I’ve been sending it out to agents for months, I told Doubt.
 
“Yeah? How’s that working out for you?” Doubt threw back, like the frigid spray of lake water on a summer’s day. 
 
Doubt’s doubt has been on my mind 24/7, ever since. My personal demons, of which I have struggled to let go, helped create the resilient person I am today. Like it or not, those same demons have also impacted the lives of those around me. At the crux of the argument was Doubt’s point that my past has held me back from breaking a cycle of hurt in my family. Counseling may be a more productive way to move on.
 
I respect that point. I might even agree with it. Like many writers, I had a difficult youth. I was an only child from a split family. Bullied by my peers, I was embarrassed by my garage sale jeans and home-sewn dresses, tried to hide my larger than average nose with makeup, suffered daily from low self-esteem and a complete lack of “cool,” looked for my estranged father in every adult male role model, and, like many teen daughters, I equally loved and, at times, “hated” my well-meaning but overprotective mother. 
 
Tortured, I tell ya’. Large or small, real or imagined, my struggles felt insurmountable at the time. I cared way too much about all of them.
 
It wasn’t until long after college, after building a freelance writing business, working as a journalist and earning my keep through my nonfiction writing, that I allowed myself to begin to heal through my writing. I wrote “slice of life” personal essays for my own column in a Pittsburgh paper, and, eventually, I jumped into NaNoWriMo fiction writing. 
 
Fiction writing has become an escape from reality but also a healthy, cathartic reminder of just that. 
 
Many of the childish demons with whom I grew up pour from my memories into the characters I sometimes “kill,” lovingly and with finality, in their telling. Bringing back to life and sending those harmless, fictional demons to their final papery grave, every November, brings me a degree of peace and a huge dose of perspective. Such writing allows me to dull the edges of my painfully sharp backstory, because I am in control. I decide my characters’ actions and reactions. I orchestrate if the pretty high school nemesis gets a payback at the 20-year class reunion. It is my choice whether the hot guy ends up with the awkward artist, if the estranged father attends his daughter’s wedding, if the dream job becomes reality, if the mother tells her child to never come back. I decide if the main character chooses to forgive.
 
“How’s that working out for you?”
 
Doubt’s comment left me numb for days. At the time, my interest in doing NaNoWriMo a fourth consecutive year all but evaporated. I was unable to sleep, rolling the words around in my head like marbles — Aggies and Corkscrews and Cat’s Eyes tumbling from one end of my skull to the other. 
 
“How’s that working out for you?”
 
Not well, on the face of it. The query trenches have been daunting. Despite several requests for the full manuscript, I’m not headed to the bestseller list anytime soon, and I had always thought I was okay with that. I thought going through the process was what was important, not whether my work was ultimately published. Fictionalizing my personal story was a way to come to terms with my past. That was my success.
 
Until Doubt set in. 
 
Though I don’t think Doubt intended it, I suddenly questioned myself and my ability. For months, I avoided writing anything more than I needed to for work. I didn’t plan for NaNoWriMo 2021, because, well, what would be the point? 
 
Let the self-pity commence. Doubt made me do it. It’s all Doubt’s fault.
 
But it’s not. 
 
Doubt cannot be the excuse. Doubt, ultimately, cannot be to blame. I must take ownership. 
 
The time for Doubt has passed. Publishable or not, I’ve decided I will hop back into that NaNoWriMo chair tomorrow, Nov. 1, because, frankly, not doing the challenge in 2021 would feel like the demons won. 
 
It would feel like Doubt won.
 
That’s not okay with me, so tomorrow I begin. What’s my project? No idea. But 50,000 words in 30 days is something I’ve done before. I can do it again, and there are so many reasons to try, not least of which is the therapy, real or imagined, that I gain from my own creativity. Sorry, Doubt. I may not be in a place where I want to bare my soul to a therapist. Maybe I should be. Probably I should be.

Maybe I’ll never be. 
 
But at least I feel peace, and even pride, in pouring my hurt (and doubt) onto the page. A career in fiction may well elude me. I may never be published, but I will write on. Support me or not, Doubt, but my success is in having killed some demons along the way … in the only way I know how. 
 
On a plain, white piece of paper.
 
#NaNoWriMo2021 #creativetherapy #Writer #therapy #amwriting #journaling
 

 

As a publicity professional, I've completed a number of projects that left my clients claiming I was a magician. 

Those moments make me feel a bit of a fraud. I'm certainly no Penn (or Teller, for that matter ... I'm actually quite chatty). To be frank, there's no smoke-and-mirrors mystery to getting noticed. For the most part, making a client look good in the public eye — whether a nonprofit, a mom and pop shop, or a global corporation — really comes down to consistency, frequency, and a little common sense.

I'm not giving away earth-shattering trade secrets here. I DO believe in "teaching a man to fish," and a client who understands the basics of the tactics I implement is a helpful, satisfied client, long-term. Armed with the same knowledge, we can meet our publicity goals all the quicker. 

Businesses or organizations wishing to take a "hands-on" approach to pulling a rabbit out of the publicity hat to boost visibility may benefit from the following insights:

1. Frequency of exposure impacts publicity success. It can take at least three exposures, usually more, before a consumer notices a message and takes action. The more ways/times a business or organization puts info out to the public the more likely a consumer will eventually absorb the message.

2. Consistency of message is a huge factor in gaining positive attention. Without consistency, a consumer may become confused about what the business or organization stands for and can offer. One of my first actions, when taking on a new publicity project, is to "deep dive" into the client's website, printed publicity materials, and social media content. If the content does not send a consistent message (I should literally see duplication of key message points throughout), I work to consolidate and create consistency across all platforms.

3. Brand is the overreaching message an organization is trying to send to its consumers. Essentially, the brand illustrates what the organization stands for. The goal should be to improve the consumer's relationship with a brand and develop trust, loyalty, and engagement. 

4. Advertising includes purchased magazine ads, special offers, coupons, etc. Advertising may have a clear "sales" feel (sometimes welcome/requested by the consumer ... sometimes not) and is recognizable as an obvious, paid attempt to get a consumer to say “yes.” Advertising is usually trackable and tangible.

5. Public Relations is a less trackable, less tangible publicity tool, but just as beneficial, whether working in tandem with advertising or alone. Such efforts allow businesses or organizations to promote goodwill and public interest, with or without a sale. They may include corporate newsletters, informational blogs, press releases leading to published articles in local media, an interactive website, or even sponsorship of a community fundraising event. Public Relations efforts are usually more about connecting with the consumer and promoting brand, with or without a sale.

6. Love it or hate it, social media is here to stay. According to Pew Research Center, about 7 in 10 Americans use social media to connect with one another. When posting on social media — Facebook, Instagram, Pinterest, Youtube, Twitter, and so on — keep in mind your consumer demographics including gender, age, race, financial status, etc. Each social media platform attracts a different market.

7. Community Facebook groups are available in almost any regional/special interest community and provide a FREE venue to promote brand and/or collaborate with other like-minded individuals. Overt sales posts are not necessary to make an impact. Even a post with a picture featuring an organization's summer interns can provide positive exposure. Paid, targeted boost opportunities are also available in this format. Be respectful of group rules and avoid controversial subjects, unless that is the brand message you are trying to promote in the name of your organization. Regardless of the social media platform, never forget that readers form an opinion that could impact a future sale.

Whether trying to implement publicity on your own or with a professional's help, having at least a little background knowledge can help in the process of getting noticed.

It's not magic.

​Really.

There's no false bottom in that top hat ... just consistency, frequency, and a little common sense.

And maybe a rabbit, if you're lucky;) They're awfully cute.

#publicity #PR #advertising 

Such basic definitions of the word "artist" seem lacking.

In my opinion, an artist is not just simply someone skilled in the arts. Regardless of ability, an artist is someone who has the ability to make another person feel. It is someone who has the capacity to create in some form and, in doing so, to change the way others think about the world around them. 

Creatives surround us. We are so blessed to have both hobbyists and professionals in our midst, no matter the form ... be they novelist, painter, fashion designer, vocalist, animator, gardener, chef, poet, architect, dancer, violinist, graphic designer, seamstress, actor, videographer, essayist, or other creative.

Too often artists are not given permission to shine. Some are told they aren't good enough. Some are told being an artist isn't "practical." Some are simply not taken seriously and eventually wander away from what brings them (and so many others) joy.

​The self portrait (above), which my daughter gave to me as a "Thank you, Mom, for always supporting me" gift several years ago, is one of the most touching works of art I've ever had the pleasure to receive. It is one of my most valued possessions. I can't read her sentiments, shaping the curls and swirls of my daughter's wild hair (since then tamed with a serious haircut), without needing a box of tissues.

This. This is what an artist is. My incredible daughter brings me to my knees. She is an artist who adds color and texture to my existence, and I would be simply lost without her (and her lovely artwork) in my life. 

Art, in some capacity, has been a part of my world and the worlds of my family members, since forever. My husband was in marching band and played in the orchestra for his high school musicals. I loved to draw and paint as a child. Participating in journalism, choir, and musical theater were my main high school hobbies. Our two girls were raised on a healthy supply of The Beatles, Billy Joel, and show tunes. They saw their first musical as early as we could reasonably expect them to sit quietly in a balcony for two hours. Active in choir, band, and theater, both were quite comfortable performing for others. From a very young age, Michelle also showed a natural ability for visual arts and took art classes through high school. She even worked a side-hustle as a caricature artist for library events, graduation and birthday parties, and the like. She eventually progressed to digital art and has done commissioned logos and other artwork for businesses and nonprofits.

Both children were high, academic achievers and took every "pre-college" course necessary to get into a top-tier, liberal arts college. Our oldest got a degree from Georgia Tech. But Michelle? When it came time to look at colleges, she explored the same liberal arts opportunities her sister originally had and, with somewhat lackluster interest, decided to consider a degree in marine biology or psychology or geology.

Some sort of "ology." 

But an "ology" degree wasn't right for Michelle. Her heart wasn't in it. We knew that, and, deep down, she knew that, too. Despite a fair amount of terror that she'd be a "starving artist," at the end of her effort, we pushed her to check out SCAD.

She was hooked. SCAD prepares its artists with specialized creative skills that cannot be found elsewhere. She grew as an artist and and as a human in the past four years, and we have never regretted giving her permission to follow her heart and be true to herself ... her wonderful, artsy, colorful, richly-textured self.

Yes, I am proud of Michelle's recent graduation from one of the top art schools in the nation. Yes, I think she's amazing, and I'm envious of her experiences. She has a Bachelor of Fine Arts in Motion Media Design and minor in Animation. She's interned with the Pittsburgh Penguins (NHL) motion graphics team and is now interning with the marketing and branding team of a global CPA firm in Atlanta, GA. I have absolutely no concerns about her securing a full-time job IN HER FIELD OF WORK.

Michelle went for it. I believe all creatives should "go for it," too, if it's what brings them joy. More than anything, though, I wish more artists were given permission to try.

Listen to your heart. Write that novel. Paint that masterpiece. Take that bow.

And shine. You're an artist.

For more art by Michelle, check out www.motiongraphicsart.com.

#artist #writer #WIP #WritingCommunity #Create 

If a writer wants to be perceived as a professional, there's more to success than just talent. One must talk like a professional, look like a professional, and act like a professional.

Freelance writers, and other creatives, often work with very traditional clients, including large corporations, nonprofits, and even sole proprietors. No matter the size, such clients may still seek what they consider "traditional" collaborators to further their brand. Does that mean you can't have a tattoo and blue hair to work with such employers? One would hope not in modern America. Regardless, your product should scream professionalism, or that client may pass.

It's not my intent to tamp down the "creative" of creatives, nor tell anyone what to wear or how to handle themselves in an interview. That's not my intent. However, let's put the basics of applying for a traditional job into perspective.

1. Provide an error-free resume/portfolio. A neat, organized resume/portfolio will show a potential employer that YOU are neat and organized. 
2. Dress to impress. Whether interviewing for a minimum-wage seasonal summer job or setting one's sights on CEO of a nonprofit, a potential hire who dresses to impress (whatever that may mean for that particular job) will get noticed. Employers are drawn to employees who show they care about their appearance. Putting in the effort to make a good first impression may prompt a potential employer to believe an applicant will put forth the same effort on the job.
3. Do your homework. Research the employer and get to know the business. Prepare questions that make it clear you care and are engaged, because, ultimately, the employer cares enough about the business to grow its employee base.
4. Be prompt and courteous. Arrive to your interview when expected and thank the employer for his or her time.
5. Offer more than is requested. If appropriate, bring work samples and follow up the interview with a personal "thank you" email.

The basics of applying for a creative job or presenting a freelance proposal?
Exactly the same as above. No matter the job, professionalism is expected and may put you a step ahead of the competition.

ADDITIONAL NOTES:

Social Media — Like it or not, social media plays a huge part in presenting what you privately stand for as a person and what you publicly stand for as a professional. In today's world, those lines often blur, and many creatives make $$$ from posting on YouTube and TikTok. A potential employer or client WILL research you, and your social media accounts may be the first place they look. Be thoughtful in your posts. If it's controversial or polarizing content, reconsider. Such content could limit your marketability, but, on the opposite side of the coin, if your brand directly benefits from such posts, you do you. 

Querying — Professionalism ALSO applies to the query process. Provide the cleanest, most fully-edited version of your manuscript and follow the submission directions, as posted, on a literary agency's website. If you don't care enough to present your best work and won't follow the directions, how likely is an agent to believe you will be receptive and/or able to take criticism and editorial feedback? He or she won't. It's just that simple.

Professionalism ... whatever the job, it's expected.

Thanks, Michelle Haas, for the artwork!

#AmWriting #WritingCommunity #WIP #Querying #Freelance #Writer #Professional
​

Whether you prefer to read a manuscript in traditional book format, or not, there are benefits to using a Kindle or similar reading device, during the editorial process.

Sometimes, when doing late-stage edits on a hardcopy, I realize I am focusing exclusively on grammar and line-by-line sentence structure ... not the overall story.

Yes, copy editing and proofreading are necessary and unavoidable, but there is an equal need to know, at the end of the day, if one's manuscript holds together when read cover-to-cover.

With a downloaded Kindle doc, I can immerse myself in the story (like I do when reading a published book I've paid for) and get a better sense of pacing, characters, and plotting — whether they are working or not — without the urge to make notations about missing commas. I do keep a notepad beside me, when doing a Kindle read-through, but I try very hard to keep my notes to only those issues impacting the story, as a whole. My goal is to interrupt the reading of my draft as infrequently as possible.

Additionally, when securing beta readers, consider the convenience of sending an entire manuscript, digitally and directly, to a person's reading device. They may be able to provide a more wholistic view of the overall story and issues they discover. They may also, generally, be more inclined to help, when your manuscript shows up as one more title on their Kindle reading list. It's like you gave them a free book, instead of a job to do.

​Directions for different devices vary, but see below for the basics of using Kindle personal document downloads with Amazon.

First things first:
Format manuscript, using common industry standards. See writersdigest.com or masterclass, for additional details, but here are the basics:

• Save file as a Word doc, preferably 
• 1” margins on all sides
• Basic 12-pt. font, such as Times New Roman 
• Double-spaced
• Automatic page numbers in header
• .5 indent for first lines of each paragraph
• Page break between chapters

Kindle Sender Directions:

1. Request the assigned kindle email address for each device receiving the manuscript (see below recipient directions).
2. Provide the recipient with sender's personal email address from which doc will be emailed, so recipient may add sender’s email address to the approved sender list in their Amazon account (see below recipient directions).
3. Once the recipient has added the sender’s email address to their Amazon approved personal document email list, sender may email document (as a Word doc or PDF file). 

Kindle Recipient Directions:

1. Go to main page of personal Amazon account.
2. Click Account & Lists.
3. Click Your Content & Devices.
4. Click Preferences tab. 
5. Go down to Personal Document Settings. This provides info about the personal Kindle account, including what devices are present. If more than one device uses the Amazon account, determine to which Kindle the personal document should be sent. 
6. Next to the name of each kindle device is the assigned Kindle email address (with kindle.com as the suffix). To receive a document sent directly to that Kindle, the sender must be provided with that assigned kindle email address.
7. MOST IMPORTANT, this is a two-way street. Recipient must also go down to Approved Personal Document Email List and add the sender’s personal email address (any suffix ... this would be your normal, personal email address) as an approved sender under Add a New Approved Email Address, so recipient’s personal Kindle doesn’t block the sender from sending the document.

 
Troubleshooting:
Once the doc is sent to the receiving Kindle, it may not show up right away on the device. Use the following tips to finalize the download.

1. The recipient should plug in the device after the file has been sent. Downloads often don’t show up until the device has a hard plug in. 
2. Recipient may have to go into the Amazon account to force the download. Click on Account & Lists, and Your Content & Devices, and under the content tab is a box (upper left) that automatically chooses “books.” Pull down that tab and click on “doc.” The file title should show up. Far to the right under the “devices” arrow, the recipient may need to choose the desired Kindle.
3. If the file still doesn’t show up, turn off the device. Plug it in for a hard plug in again, and turn it back on.
4. Finally, Word docs sometimes don’t automatically pop up as a download on the main screen of a Kindle and often don’t show up under the normal “Books” button. Once on the device, you may have to dig deeper by locating the "Downloaded" screen and pressing "View All," if it only shows normal purchased titles. There is even a "Filter" option that allows one to search for "doc" files.

 
PHEWWWW. I know that’s a lot, but it’s actually not hard if you follow the directions, step-by-step. Once you've done it once, it's infinitely easier the second time around, and you'll find a certain amount of pleasure in reading your manuscript on a Kindle or other reading device, just like you would read any other published title.

The positives of utilizing digital downloads during editing and beta reading far outweigh the negatives. Good luck and happy writing!

#Kindle #AmEditing #betareaders #digitaldownloads #WritingCommunity #AmWriting #WIP #SundayFunday #MotivationMonday #MondayMotivation

The Personal Essay: what NOT to do

1. Don’t vent on the page. Using an essay to express a moralistic stand and/or to rant about a controversial issue or family situation will likely lose a reader the moment she or he gets the gist of your agenda. Instead, share how your experience made you feel, allowing readers to form their own opinion. You may, indirectly, sway a reader’s viewpoint.

2. Don’t overlook the minor in life. One doesn’t have to pull a child from a burning building to have a story worth telling. Take day-to-day life experiences, major or minor, and present a universal meaning through the telling. Whether it’s a decade-old story about the day you lost your favorite cookbook or something “bigger,” the goal is to make readers feel, to think about everyday life differently, or to motivate them to act. No matter the event, the story should include personal transformation, allowing you and your reader to see the world differently. 

3. Don’t forget the point. It doesn’t have to be earth-shattering, but there should be a point to a personal essay. If your family takes a vacation, what’s the point of the retelling beyond enjoyment? Was it the first time three generations vacationed together? Was the trip a lifelong dream of the 90-year-old grandparent? Did being sequestered in a hotel room for two days during a hurricane lead to family bonding? There should be a life-changing point in there somewhere. Don’t write about a pleasant slice of life with no meaning. 

4. Don’t take the joke too far. Being able to laugh at yourself is incredibly popular in personal essay writing. Funny sells. However, writing a funny personal essay still must serve a purpose and, again, have a point. If you’re going to clown around, be sure the serious side of your story still shines through, giving your reader a take-away. If you make fun of yourself, you (and your reader) must learn something in the process.

5. Don’t start too late. Early drafts often come with “set-up” sentences of superfluous throat-clearing that could be eliminated without hurting the piece. Every story needs a beginning, but don’t waste valuable space getting to the hook. After writing your first draft, try reading your story from the fourth sentence on. If the story’s point did not change, get rid of the early throat-clearing. 

6. Don’t overwrite. Essayists can benefit from an old marketing rule: K.I.S.S. — Keep It Simple, Silly. Editors looking for “slice of Americana” stories typically want to hear a simple story with a simple point, but told in a thought-provoking way. Flowery writing, intended to show you are a “real” writer with a weighty vocabulary and lofty ideas, may put distance between you and the “everyday (wo)man” reading the story. Revise … and revise again, eliminating unnecessary words or phrases. Essay column writing for a newspaper or magazine almost always requires editing to a certain word count. Short is sweet as long as your edits do not change the flavor and feel of the writing. 

7. Don’t use lazy, passive language. Circle or highlight all adverbs/adjectives. Are there words or phrases used multiple times? Is each adverb/adjective the strongest choice for that sentence? Change or delete, as needed. Use the same exercise for verbs. Are there repeats? Did you use action verbs or passive “be” verbs (am, is, are, was, were, be, being, been)? When possible, go for the action.

8. Don’t avoid dialogue. An essay is about your personal experience and perception of events. Sprinkling a couple of direct quotes into an essay can help the reader feel they are there with you during your slice of life moment. Using dialogue may be more effective than telling the reader, through exposition, what transpired. Worried your memories are hazy? Quotes don’t have to be exact … only exactly how you remember them. 

9. Don’t censor yourself. Let go. Keeping it safe and only scratching the surface may mean you are not yet ready to write that particular story. To write essays, you must be vulnerable and allow others to see your truth ... your hopes, fears, and regrets. If you feel yourself holding back, maybe you need more distance from the experience before you can take the leap and write about it openly and honestly. 

10. Don’t assume your story is unique. Everyday life experiences happen to most people. We get up. We take a shower. We go to work. Impactful, life-altering experiences — hitting menopause, going through a divorce, fighting breast cancer, losing a spouse or parent, and so on — do saturate the essay market. These events are not as unique to the general reader as one might think. When writing about these experiences, be sure you can present what makes it your own story, not one of many. What makes it unique? 

11. Don’t ignore directions. When submitting an essay for publication, check the publication’s website for exact submission requirements. Many publications ask for 700-800 words. Others may take less or much, much more. Publications plan months in advance. Note the publication calendar indicating deadlines for holiday pieces or specific themes. FOLLOW THE GUIDELINES.

12. Don’t expect the editor to edit. Be sure to present your cleanest submission possible. Submitting an error-free, grammatically fine-tuned piece presents you as a professional and may help you get that byline and/or additional future work. Editors have a lot on their plates. Don’t make more work for them by expecting them to clean up your grammar. Submit your absolute best work and give them an attractive reason to say “yes.”
 
13. Don’t take rejection personally. It requires bravery and a thick skin to publicly share your personal feelings and experiences. In doing so, you invite a reader or publisher to reject you through your story. Ultimately, it’s his or her choice, and reading a writer’s work can be a very subjective affair. Don’t take an unfavorable response personally. It’s your story. Regardless of public opinion, through the telling, you have, hopefully, learned something about yourself and maybe even slayed some personal demons. That’s what makes personal essay writing worth it.

​Good luck, and write on!

#essaywriting #personalessays #amwriting #WritingCommunity #WIP #WritingTips #WriterTip #MotivationMonday #MondayMotivation ​

​The Post-it Revision Process: 7 stages of editing that first draft
 
First drafts can be messy. Anyone who just finished #NaNoWriMo in November knows what I'm talking about. There are a gazillion ways to go about revising a novel first draft, but my favorite tool during revisions is always the handy-dandy Post-it® note. 
 
Armed with a slew of multi-colored blocks of sticky goodness, I follow these basic steps, done in the order presented, to wrangle the monster and push forward to something resembling a second draft. If you are a “visual learner” or “hands-on” type of person, my Post-it Revision Process may work well for you, too.
 
Note: These initial steps do NOT cover the fine line editing that a final draft requires.
 
The Post-it Revision Process: 7 stages of editing that first draft

1. Format. Using industry standards, digitally format manuscript. Include 1” margins on all sides, basic 12-pt. font such as Times New Roman, automatic page numbers in header, double-spaced lines, .5 indent for first lines of each paragraph, etc. Check with writersdigest.com, for details. 

2. Set chapters. Even if not 100% sure in what order they will end up, try to determine chapters. Give each a working title (if not planning to use titles in the finished product, use working titles as instant visual of what the chap is about) and "insert" a hard page break after each chapter. This makes the first read through much easier to view, and will show weaknesses in structure and scene length.

3. Print hard copy. Go "old school" and print out a copy. There are many benefits to using hard copy during the editing process, as the next revision steps will attest. Additionally, the first draft hard copy is physical “proof” you wrote the manuscript (be sure to include draft date/your name on cover page). After first draft edits, the hard copy can be stored in a sealed envelope (include a copy of digital file on USB thumb drive, for good measure) and filed away for future reference. As an added precaution, save a backup to the cloud or email yourself/friend/spouse the file, providing a date stamp. 

4. Post-it. Read through the first draft. Have handy a pen and at least SIX different colored Post-it notes (include red and green, to use for pacing). While reading first draft, make notes in margins and use Post-its to physically color-code the following initial edits:

• Plot — Plot/story structure issues should be a first priority in the editing process, as they can impact everything from that point on.
• Research — Content that is based in reality (city, person, profession, cultural factors, etc.) and needs further research.
• Character — Character concerns, such as stereotyping, ineffective or inconsistent voice/dialogue, name choice (too close to another character's name, not right for the time period, etc.), and so on.
• Pacing — Novels have natural highs and lows. Note each scene as red (slow place) and green (fast pace). Too many red or green notes too close together may indicate pacing issue.
• Page/Paragraph Formatting — General formatting issues such as lack of chapter headings, inconsistent paragraph indention, blank page after a chapter, etc. are more an annoyance than a serious problem, in a first draft. However, if it bothers you (as it does me), by all means note it and deal with it. Just keep in mind that this is a first draft, and there may be many others after it. Every new draft will have the potential to create new formatting issues. Future formatting edits will be necessary. The more you catch early on, though, the cleaner the final draft will be by the time you get to it.

5. Create Mini Chap Synopses. During the first read through, write down a 1-2 sentence paragraph about what happens in each chapter. This can be done on individual note cards, Post-its or white board. Additionally, note characters introduced/present in each chapter and number of pages in each chapter. 
 
6. Manually Rearrange. Rearrange chapters/scenes to help plot, pacing, or character intro. Tinker with this draft harmlessly by manually shuffling hard copy pages/chapters or rearranging mini-synopses until you like the changes. 

7. Digitally REVISE. Before starting digital revisions, save first draft under new file name, keeping original first draft file. Using NEW file, revise plot and research edits first, including digitally moving chapters/scenes. Once plot and research issues have been dealt with, work through rest of Post-it notes, by color, focusing on specific issues one at a time. 

CONGRATS! Once you have completed each phase of the editing process, you can consider yourself the proud owner of DRAFT #2.

Which is a whole other type of messy.

#editing #amediting #amwriting #WIP #SCBWI #NaNoWriMo #NaNoWriMo2020